Pearl Eaton was a dancer and choreographer who appeared in the Ziegfeld Follies. She was the sister of Doris Eaton and Mary Eaton.
Pearl was born in Norfolk, Virginia in 1898. She was married to Harry Levant and Richard Enderly. Tragically she was murdered in her home at the age of 60. The case remains unsolved.∼Eaton was born on August 1, 1898 in Norfolk, Virginia. She began attending dance lessons in Washington D.C., along with her sisters Doris and Mary, at a young age. In 1911, all three sisters were hired for a production of Maurice Maeterlinck's fantasy play The Blue Bird at the Shubert Belasco Theatre in Washington. While Eaton had a minor role in the show, it served as her introduction to the world of professional theatre.
After The Blue Bird, in 1912, the three Eaton sisters and their younger brother Joe began appearing in various plays and melodramas for the Poli stock company. They quickly gained reputations as professional, reliable and versatile actors, and were rarely out of work. In 1915, all three sisters appeared in a new production of The Blue Bird for Poli; Doris and Mary were given the starring roles of Mytyl and Tytyl. The siblings were subsequently invited to reprise their roles for a New York and road tour of the play, produced by the Shubert Brothers.
Although Pearl had a minor role in The Blue Bird, her dancing impressed the Shuberts, who offered her a place in the chorus of Al Jolson's latest show at the Winter Garden Theatre, Robinson Crusoe, Jr. It marked the beginning of her career as an adult musical theatre performer.
Following her successful run in Robinson Crusoe Jr., Eaton appeared in another show at the Winter Garden, The Passing Show. When the production went on tour, Eaton remained with the cast. While on the road, she fell in love with one of the company musicians, violinist Harry Levant. The two were married in 1917; the following year, Eaton gave birth to a daughter, named Doris, after her sister. However, shortly after giving birth, she regained her dancing form and was back at the Winter Garden, appearing as a specialty dancer in Sinbad.
In the spring of 1918, Eaton was hired as a chorus dancer for the latest edition of the Ziegfeld Follies. She would remain with Ziegfeld for five years, appearing in the Follies in 1918, 1922 and 1923 and the Midnight Frolics of 1919, 1920 and 1921. While she never was made a principal dancer with the Follies, from 1918 onwards, she also worked as an assistant to choreographer Ned Wayburn.
In April 1923 Eaton starred in Plunder at Poli's Majestic Theater in New York City. On one occasion she filled in for Marilyn Miller in a Ziegfeld chorus when the star had the mumps. Eaton was reputed to have the most beautiful legs in America. It was reported that each time Ziegfeld encountered Eaton he asked her How are the legs?
After her final appearance with the Follies, in the 1923 road company, Eaton became associated with producer Charles Dillingham. She would work on Dillngham's productions for several years, both as a performer and a dance director. During this period she was a popular and respected presence on Broadway, and was even honored with a caricature on the walls at the theatrical restaurant Sardi's. Her final Broadway show was She's My Baby at the Globe Theatre in 1928.
In the late 1920s Eaton moved to Los Angeles and worked as a dance director and choreographer for RKO Studios, creating dances for such films as Hit the Deck with Jack Oakie.
She was selected by Hungarian artist, Erno Bakos, for a portrait of the most typical American blonde, in December 1928. Bakos studied stage and screen beauties and went to both Vassar and Smith College in his search for an ideal girl. He believed Eaton possessed the perfect combination of beauty, intelligence, personality, charm, and spirit.
As her siblings, Pearl Eaton found her career in sharp decline during the Great Depression. In spite of her well-respected work at RKO, she was let go by the studio in 1930. She continued performing in motion pictures throughout the 30s, albeit in small roles.
Eaton also dabbled in various other careers, opening a dance studio, writing songs and stories, training to be a realtor, and working for the Los Angeles County Census Bureau. As several of her siblings, she also battled alcoholism and dependence on prescription drugs. After the death of her second husband, oil company executive Dick Enderley, she became reclusive and rarely left her home.
Pearl Eaton was found dead, at the age of 60, in her Manhattan Beach apartment on September 10, 1958. While the police investigation ruled that the death was a homicide, the case was never solved.
Pearl was born in Norfolk, Virginia in 1898. She was married to Harry Levant and Richard Enderly. Tragically she was murdered in her home at the age of 60. The case remains unsolved.∼Eaton was born on August 1, 1898 in Norfolk, Virginia. She began attending dance lessons in Washington D.C., along with her sisters Doris and Mary, at a young age. In 1911, all three sisters were hired for a production of Maurice Maeterlinck's fantasy play The Blue Bird at the Shubert Belasco Theatre in Washington. While Eaton had a minor role in the show, it served as her introduction to the world of professional theatre.
After The Blue Bird, in 1912, the three Eaton sisters and their younger brother Joe began appearing in various plays and melodramas for the Poli stock company. They quickly gained reputations as professional, reliable and versatile actors, and were rarely out of work. In 1915, all three sisters appeared in a new production of The Blue Bird for Poli; Doris and Mary were given the starring roles of Mytyl and Tytyl. The siblings were subsequently invited to reprise their roles for a New York and road tour of the play, produced by the Shubert Brothers.
Although Pearl had a minor role in The Blue Bird, her dancing impressed the Shuberts, who offered her a place in the chorus of Al Jolson's latest show at the Winter Garden Theatre, Robinson Crusoe, Jr. It marked the beginning of her career as an adult musical theatre performer.
Following her successful run in Robinson Crusoe Jr., Eaton appeared in another show at the Winter Garden, The Passing Show. When the production went on tour, Eaton remained with the cast. While on the road, she fell in love with one of the company musicians, violinist Harry Levant. The two were married in 1917; the following year, Eaton gave birth to a daughter, named Doris, after her sister. However, shortly after giving birth, she regained her dancing form and was back at the Winter Garden, appearing as a specialty dancer in Sinbad.
In the spring of 1918, Eaton was hired as a chorus dancer for the latest edition of the Ziegfeld Follies. She would remain with Ziegfeld for five years, appearing in the Follies in 1918, 1922 and 1923 and the Midnight Frolics of 1919, 1920 and 1921. While she never was made a principal dancer with the Follies, from 1918 onwards, she also worked as an assistant to choreographer Ned Wayburn.
In April 1923 Eaton starred in Plunder at Poli's Majestic Theater in New York City. On one occasion she filled in for Marilyn Miller in a Ziegfeld chorus when the star had the mumps. Eaton was reputed to have the most beautiful legs in America. It was reported that each time Ziegfeld encountered Eaton he asked her How are the legs?
After her final appearance with the Follies, in the 1923 road company, Eaton became associated with producer Charles Dillingham. She would work on Dillngham's productions for several years, both as a performer and a dance director. During this period she was a popular and respected presence on Broadway, and was even honored with a caricature on the walls at the theatrical restaurant Sardi's. Her final Broadway show was She's My Baby at the Globe Theatre in 1928.
In the late 1920s Eaton moved to Los Angeles and worked as a dance director and choreographer for RKO Studios, creating dances for such films as Hit the Deck with Jack Oakie.
She was selected by Hungarian artist, Erno Bakos, for a portrait of the most typical American blonde, in December 1928. Bakos studied stage and screen beauties and went to both Vassar and Smith College in his search for an ideal girl. He believed Eaton possessed the perfect combination of beauty, intelligence, personality, charm, and spirit.
As her siblings, Pearl Eaton found her career in sharp decline during the Great Depression. In spite of her well-respected work at RKO, she was let go by the studio in 1930. She continued performing in motion pictures throughout the 30s, albeit in small roles.
Eaton also dabbled in various other careers, opening a dance studio, writing songs and stories, training to be a realtor, and working for the Los Angeles County Census Bureau. As several of her siblings, she also battled alcoholism and dependence on prescription drugs. After the death of her second husband, oil company executive Dick Enderley, she became reclusive and rarely left her home.
Pearl Eaton was found dead, at the age of 60, in her Manhattan Beach apartment on September 10, 1958. While the police investigation ruled that the death was a homicide, the case was never solved.
Pearl Eaton was a dancer and choreographer who appeared in the Ziegfeld Follies. She was the sister of Doris Eaton and Mary Eaton.
Pearl was born in Norfolk, Virginia in 1898. She was married to Harry Levant and Richard Enderly. Tragically she was murdered in her home at the age of 60. The case remains unsolved.∼Eaton was born on August 1, 1898 in Norfolk, Virginia. She began attending dance lessons in Washington D.C., along with her sisters Doris and Mary, at a young age. In 1911, all three sisters were hired for a production of Maurice Maeterlinck's fantasy play The Blue Bird at the Shubert Belasco Theatre in Washington. While Eaton had a minor role in the show, it served as her introduction to the world of professional theatre.
After The Blue Bird, in 1912, the three Eaton sisters and their younger brother Joe began appearing in various plays and melodramas for the Poli stock company. They quickly gained reputations as professional, reliable and versatile actors, and were rarely out of work. In 1915, all three sisters appeared in a new production of The Blue Bird for Poli; Doris and Mary were given the starring roles of Mytyl and Tytyl. The siblings were subsequently invited to reprise their roles for a New York and road tour of the play, produced by the Shubert Brothers.
Although Pearl had a minor role in The Blue Bird, her dancing impressed the Shuberts, who offered her a place in the chorus of Al Jolson's latest show at the Winter Garden Theatre, Robinson Crusoe, Jr. It marked the beginning of her career as an adult musical theatre performer.
Following her successful run in Robinson Crusoe Jr., Eaton appeared in another show at the Winter Garden, The Passing Show. When the production went on tour, Eaton remained with the cast. While on the road, she fell in love with one of the company musicians, violinist Harry Levant. The two were married in 1917; the following year, Eaton gave birth to a daughter, named Doris, after her sister. However, shortly after giving birth, she regained her dancing form and was back at the Winter Garden, appearing as a specialty dancer in Sinbad.
In the spring of 1918, Eaton was hired as a chorus dancer for the latest edition of the Ziegfeld Follies. She would remain with Ziegfeld for five years, appearing in the Follies in 1918, 1922 and 1923 and the Midnight Frolics of 1919, 1920 and 1921. While she never was made a principal dancer with the Follies, from 1918 onwards, she also worked as an assistant to choreographer Ned Wayburn.
In April 1923 Eaton starred in Plunder at Poli's Majestic Theater in New York City. On one occasion she filled in for Marilyn Miller in a Ziegfeld chorus when the star had the mumps. Eaton was reputed to have the most beautiful legs in America. It was reported that each time Ziegfeld encountered Eaton he asked her How are the legs?
After her final appearance with the Follies, in the 1923 road company, Eaton became associated with producer Charles Dillingham. She would work on Dillngham's productions for several years, both as a performer and a dance director. During this period she was a popular and respected presence on Broadway, and was even honored with a caricature on the walls at the theatrical restaurant Sardi's. Her final Broadway show was She's My Baby at the Globe Theatre in 1928.
In the late 1920s Eaton moved to Los Angeles and worked as a dance director and choreographer for RKO Studios, creating dances for such films as Hit the Deck with Jack Oakie.
She was selected by Hungarian artist, Erno Bakos, for a portrait of the most typical American blonde, in December 1928. Bakos studied stage and screen beauties and went to both Vassar and Smith College in his search for an ideal girl. He believed Eaton possessed the perfect combination of beauty, intelligence, personality, charm, and spirit.
As her siblings, Pearl Eaton found her career in sharp decline during the Great Depression. In spite of her well-respected work at RKO, she was let go by the studio in 1930. She continued performing in motion pictures throughout the 30s, albeit in small roles.
Eaton also dabbled in various other careers, opening a dance studio, writing songs and stories, training to be a realtor, and working for the Los Angeles County Census Bureau. As several of her siblings, she also battled alcoholism and dependence on prescription drugs. After the death of her second husband, oil company executive Dick Enderley, she became reclusive and rarely left her home.
Pearl Eaton was found dead, at the age of 60, in her Manhattan Beach apartment on September 10, 1958. While the police investigation ruled that the death was a homicide, the case was never solved.
Pearl was born in Norfolk, Virginia in 1898. She was married to Harry Levant and Richard Enderly. Tragically she was murdered in her home at the age of 60. The case remains unsolved.∼Eaton was born on August 1, 1898 in Norfolk, Virginia. She began attending dance lessons in Washington D.C., along with her sisters Doris and Mary, at a young age. In 1911, all three sisters were hired for a production of Maurice Maeterlinck's fantasy play The Blue Bird at the Shubert Belasco Theatre in Washington. While Eaton had a minor role in the show, it served as her introduction to the world of professional theatre.
After The Blue Bird, in 1912, the three Eaton sisters and their younger brother Joe began appearing in various plays and melodramas for the Poli stock company. They quickly gained reputations as professional, reliable and versatile actors, and were rarely out of work. In 1915, all three sisters appeared in a new production of The Blue Bird for Poli; Doris and Mary were given the starring roles of Mytyl and Tytyl. The siblings were subsequently invited to reprise their roles for a New York and road tour of the play, produced by the Shubert Brothers.
Although Pearl had a minor role in The Blue Bird, her dancing impressed the Shuberts, who offered her a place in the chorus of Al Jolson's latest show at the Winter Garden Theatre, Robinson Crusoe, Jr. It marked the beginning of her career as an adult musical theatre performer.
Following her successful run in Robinson Crusoe Jr., Eaton appeared in another show at the Winter Garden, The Passing Show. When the production went on tour, Eaton remained with the cast. While on the road, she fell in love with one of the company musicians, violinist Harry Levant. The two were married in 1917; the following year, Eaton gave birth to a daughter, named Doris, after her sister. However, shortly after giving birth, she regained her dancing form and was back at the Winter Garden, appearing as a specialty dancer in Sinbad.
In the spring of 1918, Eaton was hired as a chorus dancer for the latest edition of the Ziegfeld Follies. She would remain with Ziegfeld for five years, appearing in the Follies in 1918, 1922 and 1923 and the Midnight Frolics of 1919, 1920 and 1921. While she never was made a principal dancer with the Follies, from 1918 onwards, she also worked as an assistant to choreographer Ned Wayburn.
In April 1923 Eaton starred in Plunder at Poli's Majestic Theater in New York City. On one occasion she filled in for Marilyn Miller in a Ziegfeld chorus when the star had the mumps. Eaton was reputed to have the most beautiful legs in America. It was reported that each time Ziegfeld encountered Eaton he asked her How are the legs?
After her final appearance with the Follies, in the 1923 road company, Eaton became associated with producer Charles Dillingham. She would work on Dillngham's productions for several years, both as a performer and a dance director. During this period she was a popular and respected presence on Broadway, and was even honored with a caricature on the walls at the theatrical restaurant Sardi's. Her final Broadway show was She's My Baby at the Globe Theatre in 1928.
In the late 1920s Eaton moved to Los Angeles and worked as a dance director and choreographer for RKO Studios, creating dances for such films as Hit the Deck with Jack Oakie.
She was selected by Hungarian artist, Erno Bakos, for a portrait of the most typical American blonde, in December 1928. Bakos studied stage and screen beauties and went to both Vassar and Smith College in his search for an ideal girl. He believed Eaton possessed the perfect combination of beauty, intelligence, personality, charm, and spirit.
As her siblings, Pearl Eaton found her career in sharp decline during the Great Depression. In spite of her well-respected work at RKO, she was let go by the studio in 1930. She continued performing in motion pictures throughout the 30s, albeit in small roles.
Eaton also dabbled in various other careers, opening a dance studio, writing songs and stories, training to be a realtor, and working for the Los Angeles County Census Bureau. As several of her siblings, she also battled alcoholism and dependence on prescription drugs. After the death of her second husband, oil company executive Dick Enderley, she became reclusive and rarely left her home.
Pearl Eaton was found dead, at the age of 60, in her Manhattan Beach apartment on September 10, 1958. While the police investigation ruled that the death was a homicide, the case was never solved.
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