Cameraman for silent films. Early in his career he worked as an assistant cameraman for pioneering female director-producer Lois Weber. Among his credits: "The Strongest" (1920), "Are All Men Alike?" (1920), "The Sage Hen," (1921), "Discontented Wives" (1921), "The Ruse of the Rattler (1921), "Hills of Missing Men" (1922), "The Dangerous Little Demon" (1922), "Kissed" (1922), "Kings Creek Law" (1923), "The Perfect Alibi" (1924) and Across the Deadline" (1925). He left the film industry soon after and the bulk of his career was spent as a self employed liquidator for various merchandise and businesses.
Cameraman for silent films. Early in his career he worked as an assistant cameraman for pioneering female director-producer Lois Weber. Among his credits: "The Strongest" (1920), "Are All Men Alike?" (1920), "The Sage Hen," (1921), "Discontented Wives" (1921), "The Ruse of the Rattler (1921), "Hills of Missing Men" (1922), "The Dangerous Little Demon" (1922), "Kissed" (1922), "Kings Creek Law" (1923), "The Perfect Alibi" (1924) and Across the Deadline" (1925). He left the film industry soon after and the bulk of his career was spent as a self employed liquidator for various merchandise and businesses.
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