Vail rose to prominence on the New York stage during the mid-1920s in the drama, Caught. Over the next ten years he appeared in over fifteen plays on the Great White Way; his more notable plays being Behold the Bridegroom, which ran in 1927 and 1928, written and directed by George Kelly, and 1934's Are You Decent?
In 1931 he took a brief hiatus from the stage, focusing on performing in films. In the year he spent in Hollywood, Vail made eight films, with starring or featured roles in all but one of them.
After his short stint in films, Vail returned to the stage in 1932. He took another break from the stage in 1935, not returning until the war years of 1941-45, at which point he changed hats, directing, rather than acting.
Beginning in the mid-1930s he entered a new medium: radio. From the 30s through the start of the 1950s, he acted and produced in that arena.
Vail rose to prominence on the New York stage during the mid-1920s in the drama, Caught. Over the next ten years he appeared in over fifteen plays on the Great White Way; his more notable plays being Behold the Bridegroom, which ran in 1927 and 1928, written and directed by George Kelly, and 1934's Are You Decent?
In 1931 he took a brief hiatus from the stage, focusing on performing in films. In the year he spent in Hollywood, Vail made eight films, with starring or featured roles in all but one of them.
After his short stint in films, Vail returned to the stage in 1932. He took another break from the stage in 1935, not returning until the war years of 1941-45, at which point he changed hats, directing, rather than acting.
Beginning in the mid-1930s he entered a new medium: radio. From the 30s through the start of the 1950s, he acted and produced in that arena.
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