Christopher Joseph Brady.
Christopher Brady was the printer, who together with 2 compositors, printed the 1916 Proclamation in the basement of Liberty Hall, on the eve of the 1916 Easter Rising.
Son of Peter Brady and Lizzie Brady, formerly Kiernan, then of 5 Archbold Place, Dublin.
His mother, who registered his birth on 23 January 1888, noted his father as a Printer
In the 1911 census, the Brady family were living at 8, Little Green Street, Dublin.
present were,
Peter Brady, aged 54, a Printer, married,
Elisa, his wife, aged 45, married.
They had been married 26 years and had 9 children, all still alive
John, son, aged 25, a Printer,
Christopher, son, aged 23, a Printer,
Peter, son, aged 21, a General Labourer,
Frances, daughter, aged 14, a Scholar,
Lillie, daughter, aged 11, a Scholar,
William, son, aged 10, a Scholar,
Leo, son, aged 7, a Scholar,
All present had been born in Dublin City.
Marriage.
Christopher Brady, a bachelor, a Printer, from 97 Capel Street, Dublin, son of Peter Brady, a Printer, married Susan Kelly, a spinster, from 80 Lower Gloucester Street, Dublin, daughter of William Kelly, a Stoker, at Our Lady of Lourdes Church Lower Gloucester Street [now Sean MacDermott Street] Dublin, on 26 November 1919.
The witnesses were
Francis Brady,
Ketie Kelly.
On 3 January 1952, Christopher Joseph Brady, of 139 Annamoe Drive Dublin, gave a statement to the Bureau of Military History on his role in Printing the Proclamation.
This can be found at
http://www.bureauofmilitaryhistory.ie/reels/bmh/BMH.WS0705.pdf
Christopher Joseph Brady, from Cabra in Dublin, was a printer of The Workers’ Republic, a weekly paper connected to the Irish Transport and General Workers’ Union.
In 1916, he became involved in helping print what British authorities had deemed ‘Rebel Papers’, works with titles such as Spark, Honesty and The Gael. The Workers’ Republic soon fell under that category too.
In the run-up to Easter Week, Brady was co-opted onto a small team responsible for publishing what would become one of the totemic documents of Irish history, the Proclamation of an Irish Republic.
He recalled a raid on the printworks in Liberty Hall the week before Good Friday:
They rushed into the shop and proceeded to seize copies of The Gael which was usually printed at Stanley’s Works. This was regarded by those in the hall as merely an excuse for a general survey for the feeling of an approaching crisis was then in the air.
The three women [manageress Jane Shanahan, secretary Helena Molony, and Rosie Hackett, after whom the new Luas bridge across the Liffey has been named] were behind the counter and I was looking through a little door with two spy holes in it in the machine room.
I saw the raid and hastily went for James Connolly who was upstairs with Madame Markievicz and others. Connolly came down quickly, walked, quietly to the counter with drawn gun in his hand. A few feet away Miss Molony was already covering the police with her automatic.
At this moment Madame Markievicz who had gone out through the front door of Liberty Hall had come round the street corner and appeared at the entrance to the Co-op behind the raiding police.
As she entered, a hot-headed young policeman was urging his comrades to rush Connolly, but as he spoke Madame came forward. She too had them covered and they realised they were surrounded.
At once they changed their tune and said, “Of course we are only doing our duty and we have no warrant for this raid.” With this they beat a quick retreat.
The raid, while unsuccessful, must have been enough to unnerve Brady and his colleagues but the printer showed no hesitation when James Connolly asked that he and his compositors William O’Brien and Michael Molloy arrive in Liberty Hall on Easter Sunday morning for an unspecified but confidential job.
He met us on the steps of Liberty Hall on Easter Sunday morning, brought us upstairs to one of the rooms and introduced us to Tomás MacDonagh. James Connolly said, “These are my three workmen here”.
Then Tomás MacDonagh said to us, “Well men, the time is about opportune to strike a blow for Ireland”. He said, “I will read to you first the manuscript which I want you to produce in print.”
When he had read it over to us he handed me the manuscript first to read and when I had read it he asked me to pass it on to my two colleagues. When he had finished reading he asked for a decision.
I said, “As a humble workman I consider it a great honour to be entrusted to do such a heroic job.” The others answered in a similar manner.
When I read the document I fully understood that it was a document proclaiming an Irish Republic and that it meant war, but my colleagues and myself were unanimous in our decision.
Tomás McDonagh then said, “If we can hold out in this fight in order that Ireland’s voice may be heard at the Peace Conference and you boys will not be forgotten.”
Brady and his two workmates set to their task, on an old printing machine and with a shortage of type “so great that wrong fonts had to be used and I had to make a new letter by converting an ‘F’ into an ‘E’ from sealing wax to make up the supply”.
Despite these technical challenges, the men managed to run off 2,500 copies and the first proof was given to James Connolly to check at 9pm on Easter Sunday. He had one change to make – the name “Eamon” was spelled incorrectly.
When we had finished the printing of the Proclamation and everything was cleared the Proclamation was parcelled up and delivered to Miss Helena Molony.
The Countess [Markievicz] was then admitted into the machine room. She said to James Connolly, “I will shoot Eoin MacNeill”, and James Connolly replied, “You are not to hurt a hair on MacNeill’s head. If anything happens to MacNeill I will hold you responsible.”
She was in a raging temper and she showed Connolly a telegram. What the telegram contained I do not know but she was acting on whatever was in this telegram.*
In the early hours of the morning large bodies of Volunteer and Citizen Army men were arriving at Liberty Hall. They were fully armed. They were accommodated there. At this stage my comrades and myself left the premises and returned home.
[*It can be surmised that the telegram which so enraged Markievicz was Eoin MacNeill's countermand to the call for a rebellion on Easter Sunday 1916. He had helped inspire the foundation of the Volunteers but by 1916 was not convinced that a Rising at that time had popular support.]
Christopher Brady was the printer, who together with 2 compositors, printed the 1916 Proclamation in the basement of Liberty Hall, on the eve of the 1916 Easter Rising.
Son of Peter Brady and Lizzie Brady, formerly Kiernan, then of 5 Archbold Place, Dublin.
His mother, who registered his birth on 23 January 1888, noted his father as a Printer
In the 1911 census, the Brady family were living at 8, Little Green Street, Dublin.
present were,
Peter Brady, aged 54, a Printer, married,
Elisa, his wife, aged 45, married.
They had been married 26 years and had 9 children, all still alive
John, son, aged 25, a Printer,
Christopher, son, aged 23, a Printer,
Peter, son, aged 21, a General Labourer,
Frances, daughter, aged 14, a Scholar,
Lillie, daughter, aged 11, a Scholar,
William, son, aged 10, a Scholar,
Leo, son, aged 7, a Scholar,
All present had been born in Dublin City.
Marriage.
Christopher Brady, a bachelor, a Printer, from 97 Capel Street, Dublin, son of Peter Brady, a Printer, married Susan Kelly, a spinster, from 80 Lower Gloucester Street, Dublin, daughter of William Kelly, a Stoker, at Our Lady of Lourdes Church Lower Gloucester Street [now Sean MacDermott Street] Dublin, on 26 November 1919.
The witnesses were
Francis Brady,
Ketie Kelly.
On 3 January 1952, Christopher Joseph Brady, of 139 Annamoe Drive Dublin, gave a statement to the Bureau of Military History on his role in Printing the Proclamation.
This can be found at
http://www.bureauofmilitaryhistory.ie/reels/bmh/BMH.WS0705.pdf
Christopher Joseph Brady, from Cabra in Dublin, was a printer of The Workers’ Republic, a weekly paper connected to the Irish Transport and General Workers’ Union.
In 1916, he became involved in helping print what British authorities had deemed ‘Rebel Papers’, works with titles such as Spark, Honesty and The Gael. The Workers’ Republic soon fell under that category too.
In the run-up to Easter Week, Brady was co-opted onto a small team responsible for publishing what would become one of the totemic documents of Irish history, the Proclamation of an Irish Republic.
He recalled a raid on the printworks in Liberty Hall the week before Good Friday:
They rushed into the shop and proceeded to seize copies of The Gael which was usually printed at Stanley’s Works. This was regarded by those in the hall as merely an excuse for a general survey for the feeling of an approaching crisis was then in the air.
The three women [manageress Jane Shanahan, secretary Helena Molony, and Rosie Hackett, after whom the new Luas bridge across the Liffey has been named] were behind the counter and I was looking through a little door with two spy holes in it in the machine room.
I saw the raid and hastily went for James Connolly who was upstairs with Madame Markievicz and others. Connolly came down quickly, walked, quietly to the counter with drawn gun in his hand. A few feet away Miss Molony was already covering the police with her automatic.
At this moment Madame Markievicz who had gone out through the front door of Liberty Hall had come round the street corner and appeared at the entrance to the Co-op behind the raiding police.
As she entered, a hot-headed young policeman was urging his comrades to rush Connolly, but as he spoke Madame came forward. She too had them covered and they realised they were surrounded.
At once they changed their tune and said, “Of course we are only doing our duty and we have no warrant for this raid.” With this they beat a quick retreat.
The raid, while unsuccessful, must have been enough to unnerve Brady and his colleagues but the printer showed no hesitation when James Connolly asked that he and his compositors William O’Brien and Michael Molloy arrive in Liberty Hall on Easter Sunday morning for an unspecified but confidential job.
He met us on the steps of Liberty Hall on Easter Sunday morning, brought us upstairs to one of the rooms and introduced us to Tomás MacDonagh. James Connolly said, “These are my three workmen here”.
Then Tomás MacDonagh said to us, “Well men, the time is about opportune to strike a blow for Ireland”. He said, “I will read to you first the manuscript which I want you to produce in print.”
When he had read it over to us he handed me the manuscript first to read and when I had read it he asked me to pass it on to my two colleagues. When he had finished reading he asked for a decision.
I said, “As a humble workman I consider it a great honour to be entrusted to do such a heroic job.” The others answered in a similar manner.
When I read the document I fully understood that it was a document proclaiming an Irish Republic and that it meant war, but my colleagues and myself were unanimous in our decision.
Tomás McDonagh then said, “If we can hold out in this fight in order that Ireland’s voice may be heard at the Peace Conference and you boys will not be forgotten.”
Brady and his two workmates set to their task, on an old printing machine and with a shortage of type “so great that wrong fonts had to be used and I had to make a new letter by converting an ‘F’ into an ‘E’ from sealing wax to make up the supply”.
Despite these technical challenges, the men managed to run off 2,500 copies and the first proof was given to James Connolly to check at 9pm on Easter Sunday. He had one change to make – the name “Eamon” was spelled incorrectly.
When we had finished the printing of the Proclamation and everything was cleared the Proclamation was parcelled up and delivered to Miss Helena Molony.
The Countess [Markievicz] was then admitted into the machine room. She said to James Connolly, “I will shoot Eoin MacNeill”, and James Connolly replied, “You are not to hurt a hair on MacNeill’s head. If anything happens to MacNeill I will hold you responsible.”
She was in a raging temper and she showed Connolly a telegram. What the telegram contained I do not know but she was acting on whatever was in this telegram.*
In the early hours of the morning large bodies of Volunteer and Citizen Army men were arriving at Liberty Hall. They were fully armed. They were accommodated there. At this stage my comrades and myself left the premises and returned home.
[*It can be surmised that the telegram which so enraged Markievicz was Eoin MacNeill's countermand to the call for a rebellion on Easter Sunday 1916. He had helped inspire the foundation of the Volunteers but by 1916 was not convinced that a Rising at that time had popular support.]
Christopher Joseph Brady.
Christopher Brady was the printer, who together with 2 compositors, printed the 1916 Proclamation in the basement of Liberty Hall, on the eve of the 1916 Easter Rising.
Son of Peter Brady and Lizzie Brady, formerly Kiernan, then of 5 Archbold Place, Dublin.
His mother, who registered his birth on 23 January 1888, noted his father as a Printer
In the 1911 census, the Brady family were living at 8, Little Green Street, Dublin.
present were,
Peter Brady, aged 54, a Printer, married,
Elisa, his wife, aged 45, married.
They had been married 26 years and had 9 children, all still alive
John, son, aged 25, a Printer,
Christopher, son, aged 23, a Printer,
Peter, son, aged 21, a General Labourer,
Frances, daughter, aged 14, a Scholar,
Lillie, daughter, aged 11, a Scholar,
William, son, aged 10, a Scholar,
Leo, son, aged 7, a Scholar,
All present had been born in Dublin City.
Marriage.
Christopher Brady, a bachelor, a Printer, from 97 Capel Street, Dublin, son of Peter Brady, a Printer, married Susan Kelly, a spinster, from 80 Lower Gloucester Street, Dublin, daughter of William Kelly, a Stoker, at Our Lady of Lourdes Church Lower Gloucester Street [now Sean MacDermott Street] Dublin, on 26 November 1919.
The witnesses were
Francis Brady,
Ketie Kelly.
On 3 January 1952, Christopher Joseph Brady, of 139 Annamoe Drive Dublin, gave a statement to the Bureau of Military History on his role in Printing the Proclamation.
This can be found at
http://www.bureauofmilitaryhistory.ie/reels/bmh/BMH.WS0705.pdf
Christopher Joseph Brady, from Cabra in Dublin, was a printer of The Workers’ Republic, a weekly paper connected to the Irish Transport and General Workers’ Union.
In 1916, he became involved in helping print what British authorities had deemed ‘Rebel Papers’, works with titles such as Spark, Honesty and The Gael. The Workers’ Republic soon fell under that category too.
In the run-up to Easter Week, Brady was co-opted onto a small team responsible for publishing what would become one of the totemic documents of Irish history, the Proclamation of an Irish Republic.
He recalled a raid on the printworks in Liberty Hall the week before Good Friday:
They rushed into the shop and proceeded to seize copies of The Gael which was usually printed at Stanley’s Works. This was regarded by those in the hall as merely an excuse for a general survey for the feeling of an approaching crisis was then in the air.
The three women [manageress Jane Shanahan, secretary Helena Molony, and Rosie Hackett, after whom the new Luas bridge across the Liffey has been named] were behind the counter and I was looking through a little door with two spy holes in it in the machine room.
I saw the raid and hastily went for James Connolly who was upstairs with Madame Markievicz and others. Connolly came down quickly, walked, quietly to the counter with drawn gun in his hand. A few feet away Miss Molony was already covering the police with her automatic.
At this moment Madame Markievicz who had gone out through the front door of Liberty Hall had come round the street corner and appeared at the entrance to the Co-op behind the raiding police.
As she entered, a hot-headed young policeman was urging his comrades to rush Connolly, but as he spoke Madame came forward. She too had them covered and they realised they were surrounded.
At once they changed their tune and said, “Of course we are only doing our duty and we have no warrant for this raid.” With this they beat a quick retreat.
The raid, while unsuccessful, must have been enough to unnerve Brady and his colleagues but the printer showed no hesitation when James Connolly asked that he and his compositors William O’Brien and Michael Molloy arrive in Liberty Hall on Easter Sunday morning for an unspecified but confidential job.
He met us on the steps of Liberty Hall on Easter Sunday morning, brought us upstairs to one of the rooms and introduced us to Tomás MacDonagh. James Connolly said, “These are my three workmen here”.
Then Tomás MacDonagh said to us, “Well men, the time is about opportune to strike a blow for Ireland”. He said, “I will read to you first the manuscript which I want you to produce in print.”
When he had read it over to us he handed me the manuscript first to read and when I had read it he asked me to pass it on to my two colleagues. When he had finished reading he asked for a decision.
I said, “As a humble workman I consider it a great honour to be entrusted to do such a heroic job.” The others answered in a similar manner.
When I read the document I fully understood that it was a document proclaiming an Irish Republic and that it meant war, but my colleagues and myself were unanimous in our decision.
Tomás McDonagh then said, “If we can hold out in this fight in order that Ireland’s voice may be heard at the Peace Conference and you boys will not be forgotten.”
Brady and his two workmates set to their task, on an old printing machine and with a shortage of type “so great that wrong fonts had to be used and I had to make a new letter by converting an ‘F’ into an ‘E’ from sealing wax to make up the supply”.
Despite these technical challenges, the men managed to run off 2,500 copies and the first proof was given to James Connolly to check at 9pm on Easter Sunday. He had one change to make – the name “Eamon” was spelled incorrectly.
When we had finished the printing of the Proclamation and everything was cleared the Proclamation was parcelled up and delivered to Miss Helena Molony.
The Countess [Markievicz] was then admitted into the machine room. She said to James Connolly, “I will shoot Eoin MacNeill”, and James Connolly replied, “You are not to hurt a hair on MacNeill’s head. If anything happens to MacNeill I will hold you responsible.”
She was in a raging temper and she showed Connolly a telegram. What the telegram contained I do not know but she was acting on whatever was in this telegram.*
In the early hours of the morning large bodies of Volunteer and Citizen Army men were arriving at Liberty Hall. They were fully armed. They were accommodated there. At this stage my comrades and myself left the premises and returned home.
[*It can be surmised that the telegram which so enraged Markievicz was Eoin MacNeill's countermand to the call for a rebellion on Easter Sunday 1916. He had helped inspire the foundation of the Volunteers but by 1916 was not convinced that a Rising at that time had popular support.]
Christopher Brady was the printer, who together with 2 compositors, printed the 1916 Proclamation in the basement of Liberty Hall, on the eve of the 1916 Easter Rising.
Son of Peter Brady and Lizzie Brady, formerly Kiernan, then of 5 Archbold Place, Dublin.
His mother, who registered his birth on 23 January 1888, noted his father as a Printer
In the 1911 census, the Brady family were living at 8, Little Green Street, Dublin.
present were,
Peter Brady, aged 54, a Printer, married,
Elisa, his wife, aged 45, married.
They had been married 26 years and had 9 children, all still alive
John, son, aged 25, a Printer,
Christopher, son, aged 23, a Printer,
Peter, son, aged 21, a General Labourer,
Frances, daughter, aged 14, a Scholar,
Lillie, daughter, aged 11, a Scholar,
William, son, aged 10, a Scholar,
Leo, son, aged 7, a Scholar,
All present had been born in Dublin City.
Marriage.
Christopher Brady, a bachelor, a Printer, from 97 Capel Street, Dublin, son of Peter Brady, a Printer, married Susan Kelly, a spinster, from 80 Lower Gloucester Street, Dublin, daughter of William Kelly, a Stoker, at Our Lady of Lourdes Church Lower Gloucester Street [now Sean MacDermott Street] Dublin, on 26 November 1919.
The witnesses were
Francis Brady,
Ketie Kelly.
On 3 January 1952, Christopher Joseph Brady, of 139 Annamoe Drive Dublin, gave a statement to the Bureau of Military History on his role in Printing the Proclamation.
This can be found at
http://www.bureauofmilitaryhistory.ie/reels/bmh/BMH.WS0705.pdf
Christopher Joseph Brady, from Cabra in Dublin, was a printer of The Workers’ Republic, a weekly paper connected to the Irish Transport and General Workers’ Union.
In 1916, he became involved in helping print what British authorities had deemed ‘Rebel Papers’, works with titles such as Spark, Honesty and The Gael. The Workers’ Republic soon fell under that category too.
In the run-up to Easter Week, Brady was co-opted onto a small team responsible for publishing what would become one of the totemic documents of Irish history, the Proclamation of an Irish Republic.
He recalled a raid on the printworks in Liberty Hall the week before Good Friday:
They rushed into the shop and proceeded to seize copies of The Gael which was usually printed at Stanley’s Works. This was regarded by those in the hall as merely an excuse for a general survey for the feeling of an approaching crisis was then in the air.
The three women [manageress Jane Shanahan, secretary Helena Molony, and Rosie Hackett, after whom the new Luas bridge across the Liffey has been named] were behind the counter and I was looking through a little door with two spy holes in it in the machine room.
I saw the raid and hastily went for James Connolly who was upstairs with Madame Markievicz and others. Connolly came down quickly, walked, quietly to the counter with drawn gun in his hand. A few feet away Miss Molony was already covering the police with her automatic.
At this moment Madame Markievicz who had gone out through the front door of Liberty Hall had come round the street corner and appeared at the entrance to the Co-op behind the raiding police.
As she entered, a hot-headed young policeman was urging his comrades to rush Connolly, but as he spoke Madame came forward. She too had them covered and they realised they were surrounded.
At once they changed their tune and said, “Of course we are only doing our duty and we have no warrant for this raid.” With this they beat a quick retreat.
The raid, while unsuccessful, must have been enough to unnerve Brady and his colleagues but the printer showed no hesitation when James Connolly asked that he and his compositors William O’Brien and Michael Molloy arrive in Liberty Hall on Easter Sunday morning for an unspecified but confidential job.
He met us on the steps of Liberty Hall on Easter Sunday morning, brought us upstairs to one of the rooms and introduced us to Tomás MacDonagh. James Connolly said, “These are my three workmen here”.
Then Tomás MacDonagh said to us, “Well men, the time is about opportune to strike a blow for Ireland”. He said, “I will read to you first the manuscript which I want you to produce in print.”
When he had read it over to us he handed me the manuscript first to read and when I had read it he asked me to pass it on to my two colleagues. When he had finished reading he asked for a decision.
I said, “As a humble workman I consider it a great honour to be entrusted to do such a heroic job.” The others answered in a similar manner.
When I read the document I fully understood that it was a document proclaiming an Irish Republic and that it meant war, but my colleagues and myself were unanimous in our decision.
Tomás McDonagh then said, “If we can hold out in this fight in order that Ireland’s voice may be heard at the Peace Conference and you boys will not be forgotten.”
Brady and his two workmates set to their task, on an old printing machine and with a shortage of type “so great that wrong fonts had to be used and I had to make a new letter by converting an ‘F’ into an ‘E’ from sealing wax to make up the supply”.
Despite these technical challenges, the men managed to run off 2,500 copies and the first proof was given to James Connolly to check at 9pm on Easter Sunday. He had one change to make – the name “Eamon” was spelled incorrectly.
When we had finished the printing of the Proclamation and everything was cleared the Proclamation was parcelled up and delivered to Miss Helena Molony.
The Countess [Markievicz] was then admitted into the machine room. She said to James Connolly, “I will shoot Eoin MacNeill”, and James Connolly replied, “You are not to hurt a hair on MacNeill’s head. If anything happens to MacNeill I will hold you responsible.”
She was in a raging temper and she showed Connolly a telegram. What the telegram contained I do not know but she was acting on whatever was in this telegram.*
In the early hours of the morning large bodies of Volunteer and Citizen Army men were arriving at Liberty Hall. They were fully armed. They were accommodated there. At this stage my comrades and myself left the premises and returned home.
[*It can be surmised that the telegram which so enraged Markievicz was Eoin MacNeill's countermand to the call for a rebellion on Easter Sunday 1916. He had helped inspire the foundation of the Volunteers but by 1916 was not convinced that a Rising at that time had popular support.]
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