The 5th Safavid Shah (king) of Iran, generally considered one of the greatest rulers of Iranian history and the Safavid dynasty. He was the third son of Shah Mohammad Khodabanda.∼Abbâs was born in Herat (now in Afghanistan) from a Georgian mother from Mazandaran Province, in Northern Iran. The Safavid empire had substantially weakened during the reign of his semiblind father, allowing usurpations and the inner feuds of the Kizilbash amîrs, leaders of the Turcoman tribes constituting the backbone of the Safavid army. Furthermore, Ottoman and Uzbek inroads were harassing the West and Eastern provinces, respectively. In the midst of such upheaval, he was proclaimed ruler of Khorâsân in 1581.
In October 1588 he attained the Persian throne by revolting against his father Mohammad, whom he imprisoned. He accomplished the coup with the help of Morshed Gholi Ostajlou, whom he later killed in July, 1589. Determined to raise the fallen fortunes of his country, he signed a separate peace with the Ottomans (1589-90, including the cession of large areas of west and northwest Persia) and then directed his efforts against the predatory Uzbeks, who occupied and harassed Khorâsân. 'Abbâs needed some ten years to launch a decisive offensive: this was caused by his decision to form a standing army. Cavalry consisted of Christian Georgians, Armenians and descendants of Circassian prisoners (ghulâms, "slaves"), instead of the mistrustful Kizilbash tribal cavalry levies of former times; Persian peasantry formed the infantry. Budgetary problems were resolved by restoring to the Shah's control the provinces formerly governed by the Kilibash chiefs, the revenues of which supplemented the royal treasury. The new Ghulâms were often appointed as governors of the provinces.
After a long and severe struggle, 'Abbâs regained Mashhad, and defeated the Uzbeks in a great battle near Herat in 1597, driving them beyond the Oxus River. In the meantime, taking advantage of tsar Ivan the Terrible's death in 1584, he had gained the homage of the provinces on the southern Caspian Sea, which had depended on Russia till then.
He moved his capital from Qazvin to the more central and more Persian Isfahan in 1592. Embellished by a magnificent series of new mosques, baths, colleges, and caravansaries, Isfahan became one of the most beautiful cities in the world.
'Abbâs' reign, with its military successes and efficient administrative system, raised Iran to the status of a great power. 'Abbâs was a skilled diplomat, tolerant of his Christian subjects in Armenia. He sent Shirley to Italy, Spain and England in order to create a pact against the Ottomans. According to the Encyclopedia of World Biography,
" His power was more absolute than that of the sultan of Turkey. While the sultan was limited by the dictates of the Moslem religious laws as interpreted by the chief religious leader of the realm, the Shii Safavids were not so limited. Theirs was a theocracy in which the shah, as representative of the hidden imam, had absolute temporal and spiritual powers. He was called the Morshed-e Kamel ("most perfect leader") and as such could not do wrong. He was the arbiter of religious law. Later, when Persian kings became weak, the interpreters of religious law, Mujtaheds, dominated the religious as well as the temporal scene. "
"Abbas King of Persia", as seen by Thomas Herbert in 1627.Mistrusting the once ruling class of the Qizilbash, 'Abbâs gained a strong support from common people. Sources report him spending much of his time among them, personally visiting bazaars and other public places in Isfahan.
Isfahan became the center of Safavid architectural achievement, with the mosques Masjed-e Shah and the Masjed-e Sheykh Lotfollah and other monuments like the Ali Qapu, the Chehel Sotoun palace, and the Naghsh-i Jahan Square. His painting ateliers (of the Isfahan school established under his patronage) created some of the finest art in modern Persian history, by such illustrious painters as Reza Abbasi, Mohammed Qasim and others. Despite the ascetic roots of the Ṣafavid dynasty and the religious injunctions restricting the pleasures lawful to the faithful, the art of Abbas' time denotes a certain relaxation of the strictures. Historian James Saslow interprets the portrait by Muhammad Qasim as showing that the Muslim taboo against wine, as well as that against male intimacy, "were more honored in the breach than in the observance". Contemporary European observers at the Shah's court reflected similarly on prevalent customs. Among them was Thomas Herbert, the nineteen-year-old secretary to the British amabassador, who later related that he saw "Ganymede boys in vests of gold, rich bespangled turbans, and choice sandals, their curled hair dangling about their shoulders, with rolling eyes and vermilion cheeks."
'Abbâs died in Mazandaran in 1629. His dominions extended from the Tigris to the Indus, even overcoming the Persian borders of pre-Islamic times. He is still today a popular figure in Iran, featuring in numerous traditional tales. His fame is tarnished, however, by numerous deeds of tyranny and cruelty, particularly against his own family. Afraid of a coup by his family (as he had done to his father), he locked them up in palaces in order to keep them without knowledge of the outside world. This resulted in weak successors. He killed his eldest son, Safi Mirza, leaving his throne to his grandson Safi. It is believed that Safi Mirza was killed because the Shah had learned the story of king Absalom who rebelled against his own father as depicted in the illustrations of the Morgan Crusader's Bible which was sent to him as a gift by Cardinal Maciejowski in 1604.
In October 1588 he attained the Persian throne by revolting against his father Mohammad, whom he imprisoned. He accomplished the coup with the help of Morshed Gholi Ostajlou, whom he later killed in July, 1589. Determined to raise the fallen fortunes of his country, he signed a separate peace with the Ottomans (1589-90, including the cession of large areas of west and northwest Persia) and then directed his efforts against the predatory Uzbeks, who occupied and harassed Khorâsân. 'Abbâs needed some ten years to launch a decisive offensive: this was caused by his decision to form a standing army. Cavalry consisted of Christian Georgians, Armenians and descendants of Circassian prisoners (ghulâms, "slaves"), instead of the mistrustful Kizilbash tribal cavalry levies of former times; Persian peasantry formed the infantry. Budgetary problems were resolved by restoring to the Shah's control the provinces formerly governed by the Kilibash chiefs, the revenues of which supplemented the royal treasury. The new Ghulâms were often appointed as governors of the provinces.
After a long and severe struggle, 'Abbâs regained Mashhad, and defeated the Uzbeks in a great battle near Herat in 1597, driving them beyond the Oxus River. In the meantime, taking advantage of tsar Ivan the Terrible's death in 1584, he had gained the homage of the provinces on the southern Caspian Sea, which had depended on Russia till then.
He moved his capital from Qazvin to the more central and more Persian Isfahan in 1592. Embellished by a magnificent series of new mosques, baths, colleges, and caravansaries, Isfahan became one of the most beautiful cities in the world.
'Abbâs' reign, with its military successes and efficient administrative system, raised Iran to the status of a great power. 'Abbâs was a skilled diplomat, tolerant of his Christian subjects in Armenia. He sent Shirley to Italy, Spain and England in order to create a pact against the Ottomans. According to the Encyclopedia of World Biography,
" His power was more absolute than that of the sultan of Turkey. While the sultan was limited by the dictates of the Moslem religious laws as interpreted by the chief religious leader of the realm, the Shii Safavids were not so limited. Theirs was a theocracy in which the shah, as representative of the hidden imam, had absolute temporal and spiritual powers. He was called the Morshed-e Kamel ("most perfect leader") and as such could not do wrong. He was the arbiter of religious law. Later, when Persian kings became weak, the interpreters of religious law, Mujtaheds, dominated the religious as well as the temporal scene. "
"Abbas King of Persia", as seen by Thomas Herbert in 1627.Mistrusting the once ruling class of the Qizilbash, 'Abbâs gained a strong support from common people. Sources report him spending much of his time among them, personally visiting bazaars and other public places in Isfahan.
Isfahan became the center of Safavid architectural achievement, with the mosques Masjed-e Shah and the Masjed-e Sheykh Lotfollah and other monuments like the Ali Qapu, the Chehel Sotoun palace, and the Naghsh-i Jahan Square. His painting ateliers (of the Isfahan school established under his patronage) created some of the finest art in modern Persian history, by such illustrious painters as Reza Abbasi, Mohammed Qasim and others. Despite the ascetic roots of the Ṣafavid dynasty and the religious injunctions restricting the pleasures lawful to the faithful, the art of Abbas' time denotes a certain relaxation of the strictures. Historian James Saslow interprets the portrait by Muhammad Qasim as showing that the Muslim taboo against wine, as well as that against male intimacy, "were more honored in the breach than in the observance". Contemporary European observers at the Shah's court reflected similarly on prevalent customs. Among them was Thomas Herbert, the nineteen-year-old secretary to the British amabassador, who later related that he saw "Ganymede boys in vests of gold, rich bespangled turbans, and choice sandals, their curled hair dangling about their shoulders, with rolling eyes and vermilion cheeks."
'Abbâs died in Mazandaran in 1629. His dominions extended from the Tigris to the Indus, even overcoming the Persian borders of pre-Islamic times. He is still today a popular figure in Iran, featuring in numerous traditional tales. His fame is tarnished, however, by numerous deeds of tyranny and cruelty, particularly against his own family. Afraid of a coup by his family (as he had done to his father), he locked them up in palaces in order to keep them without knowledge of the outside world. This resulted in weak successors. He killed his eldest son, Safi Mirza, leaving his throne to his grandson Safi. It is believed that Safi Mirza was killed because the Shah had learned the story of king Absalom who rebelled against his own father as depicted in the illustrations of the Morgan Crusader's Bible which was sent to him as a gift by Cardinal Maciejowski in 1604.
The 5th Safavid Shah (king) of Iran, generally considered one of the greatest rulers of Iranian history and the Safavid dynasty. He was the third son of Shah Mohammad Khodabanda.∼Abbâs was born in Herat (now in Afghanistan) from a Georgian mother from Mazandaran Province, in Northern Iran. The Safavid empire had substantially weakened during the reign of his semiblind father, allowing usurpations and the inner feuds of the Kizilbash amîrs, leaders of the Turcoman tribes constituting the backbone of the Safavid army. Furthermore, Ottoman and Uzbek inroads were harassing the West and Eastern provinces, respectively. In the midst of such upheaval, he was proclaimed ruler of Khorâsân in 1581.
In October 1588 he attained the Persian throne by revolting against his father Mohammad, whom he imprisoned. He accomplished the coup with the help of Morshed Gholi Ostajlou, whom he later killed in July, 1589. Determined to raise the fallen fortunes of his country, he signed a separate peace with the Ottomans (1589-90, including the cession of large areas of west and northwest Persia) and then directed his efforts against the predatory Uzbeks, who occupied and harassed Khorâsân. 'Abbâs needed some ten years to launch a decisive offensive: this was caused by his decision to form a standing army. Cavalry consisted of Christian Georgians, Armenians and descendants of Circassian prisoners (ghulâms, "slaves"), instead of the mistrustful Kizilbash tribal cavalry levies of former times; Persian peasantry formed the infantry. Budgetary problems were resolved by restoring to the Shah's control the provinces formerly governed by the Kilibash chiefs, the revenues of which supplemented the royal treasury. The new Ghulâms were often appointed as governors of the provinces.
After a long and severe struggle, 'Abbâs regained Mashhad, and defeated the Uzbeks in a great battle near Herat in 1597, driving them beyond the Oxus River. In the meantime, taking advantage of tsar Ivan the Terrible's death in 1584, he had gained the homage of the provinces on the southern Caspian Sea, which had depended on Russia till then.
He moved his capital from Qazvin to the more central and more Persian Isfahan in 1592. Embellished by a magnificent series of new mosques, baths, colleges, and caravansaries, Isfahan became one of the most beautiful cities in the world.
'Abbâs' reign, with its military successes and efficient administrative system, raised Iran to the status of a great power. 'Abbâs was a skilled diplomat, tolerant of his Christian subjects in Armenia. He sent Shirley to Italy, Spain and England in order to create a pact against the Ottomans. According to the Encyclopedia of World Biography,
" His power was more absolute than that of the sultan of Turkey. While the sultan was limited by the dictates of the Moslem religious laws as interpreted by the chief religious leader of the realm, the Shii Safavids were not so limited. Theirs was a theocracy in which the shah, as representative of the hidden imam, had absolute temporal and spiritual powers. He was called the Morshed-e Kamel ("most perfect leader") and as such could not do wrong. He was the arbiter of religious law. Later, when Persian kings became weak, the interpreters of religious law, Mujtaheds, dominated the religious as well as the temporal scene. "
"Abbas King of Persia", as seen by Thomas Herbert in 1627.Mistrusting the once ruling class of the Qizilbash, 'Abbâs gained a strong support from common people. Sources report him spending much of his time among them, personally visiting bazaars and other public places in Isfahan.
Isfahan became the center of Safavid architectural achievement, with the mosques Masjed-e Shah and the Masjed-e Sheykh Lotfollah and other monuments like the Ali Qapu, the Chehel Sotoun palace, and the Naghsh-i Jahan Square. His painting ateliers (of the Isfahan school established under his patronage) created some of the finest art in modern Persian history, by such illustrious painters as Reza Abbasi, Mohammed Qasim and others. Despite the ascetic roots of the Ṣafavid dynasty and the religious injunctions restricting the pleasures lawful to the faithful, the art of Abbas' time denotes a certain relaxation of the strictures. Historian James Saslow interprets the portrait by Muhammad Qasim as showing that the Muslim taboo against wine, as well as that against male intimacy, "were more honored in the breach than in the observance". Contemporary European observers at the Shah's court reflected similarly on prevalent customs. Among them was Thomas Herbert, the nineteen-year-old secretary to the British amabassador, who later related that he saw "Ganymede boys in vests of gold, rich bespangled turbans, and choice sandals, their curled hair dangling about their shoulders, with rolling eyes and vermilion cheeks."
'Abbâs died in Mazandaran in 1629. His dominions extended from the Tigris to the Indus, even overcoming the Persian borders of pre-Islamic times. He is still today a popular figure in Iran, featuring in numerous traditional tales. His fame is tarnished, however, by numerous deeds of tyranny and cruelty, particularly against his own family. Afraid of a coup by his family (as he had done to his father), he locked them up in palaces in order to keep them without knowledge of the outside world. This resulted in weak successors. He killed his eldest son, Safi Mirza, leaving his throne to his grandson Safi. It is believed that Safi Mirza was killed because the Shah had learned the story of king Absalom who rebelled against his own father as depicted in the illustrations of the Morgan Crusader's Bible which was sent to him as a gift by Cardinal Maciejowski in 1604.
In October 1588 he attained the Persian throne by revolting against his father Mohammad, whom he imprisoned. He accomplished the coup with the help of Morshed Gholi Ostajlou, whom he later killed in July, 1589. Determined to raise the fallen fortunes of his country, he signed a separate peace with the Ottomans (1589-90, including the cession of large areas of west and northwest Persia) and then directed his efforts against the predatory Uzbeks, who occupied and harassed Khorâsân. 'Abbâs needed some ten years to launch a decisive offensive: this was caused by his decision to form a standing army. Cavalry consisted of Christian Georgians, Armenians and descendants of Circassian prisoners (ghulâms, "slaves"), instead of the mistrustful Kizilbash tribal cavalry levies of former times; Persian peasantry formed the infantry. Budgetary problems were resolved by restoring to the Shah's control the provinces formerly governed by the Kilibash chiefs, the revenues of which supplemented the royal treasury. The new Ghulâms were often appointed as governors of the provinces.
After a long and severe struggle, 'Abbâs regained Mashhad, and defeated the Uzbeks in a great battle near Herat in 1597, driving them beyond the Oxus River. In the meantime, taking advantage of tsar Ivan the Terrible's death in 1584, he had gained the homage of the provinces on the southern Caspian Sea, which had depended on Russia till then.
He moved his capital from Qazvin to the more central and more Persian Isfahan in 1592. Embellished by a magnificent series of new mosques, baths, colleges, and caravansaries, Isfahan became one of the most beautiful cities in the world.
'Abbâs' reign, with its military successes and efficient administrative system, raised Iran to the status of a great power. 'Abbâs was a skilled diplomat, tolerant of his Christian subjects in Armenia. He sent Shirley to Italy, Spain and England in order to create a pact against the Ottomans. According to the Encyclopedia of World Biography,
" His power was more absolute than that of the sultan of Turkey. While the sultan was limited by the dictates of the Moslem religious laws as interpreted by the chief religious leader of the realm, the Shii Safavids were not so limited. Theirs was a theocracy in which the shah, as representative of the hidden imam, had absolute temporal and spiritual powers. He was called the Morshed-e Kamel ("most perfect leader") and as such could not do wrong. He was the arbiter of religious law. Later, when Persian kings became weak, the interpreters of religious law, Mujtaheds, dominated the religious as well as the temporal scene. "
"Abbas King of Persia", as seen by Thomas Herbert in 1627.Mistrusting the once ruling class of the Qizilbash, 'Abbâs gained a strong support from common people. Sources report him spending much of his time among them, personally visiting bazaars and other public places in Isfahan.
Isfahan became the center of Safavid architectural achievement, with the mosques Masjed-e Shah and the Masjed-e Sheykh Lotfollah and other monuments like the Ali Qapu, the Chehel Sotoun palace, and the Naghsh-i Jahan Square. His painting ateliers (of the Isfahan school established under his patronage) created some of the finest art in modern Persian history, by such illustrious painters as Reza Abbasi, Mohammed Qasim and others. Despite the ascetic roots of the Ṣafavid dynasty and the religious injunctions restricting the pleasures lawful to the faithful, the art of Abbas' time denotes a certain relaxation of the strictures. Historian James Saslow interprets the portrait by Muhammad Qasim as showing that the Muslim taboo against wine, as well as that against male intimacy, "were more honored in the breach than in the observance". Contemporary European observers at the Shah's court reflected similarly on prevalent customs. Among them was Thomas Herbert, the nineteen-year-old secretary to the British amabassador, who later related that he saw "Ganymede boys in vests of gold, rich bespangled turbans, and choice sandals, their curled hair dangling about their shoulders, with rolling eyes and vermilion cheeks."
'Abbâs died in Mazandaran in 1629. His dominions extended from the Tigris to the Indus, even overcoming the Persian borders of pre-Islamic times. He is still today a popular figure in Iran, featuring in numerous traditional tales. His fame is tarnished, however, by numerous deeds of tyranny and cruelty, particularly against his own family. Afraid of a coup by his family (as he had done to his father), he locked them up in palaces in order to keep them without knowledge of the outside world. This resulted in weak successors. He killed his eldest son, Safi Mirza, leaving his throne to his grandson Safi. It is believed that Safi Mirza was killed because the Shah had learned the story of king Absalom who rebelled against his own father as depicted in the illustrations of the Morgan Crusader's Bible which was sent to him as a gift by Cardinal Maciejowski in 1604.
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