Aimé Barelli "Tony Dallo" "Bar Elie" born 1 May 1917 Lantosque and died 13 July 1885 in Monaco, was a jazz trumpeter of some repute.
He began his career as a trumpeter at the age of 16 at the Palais de la Méditerranée in Nice. He was subsequently hired at the Palm Beach in Cannes.
At the beginning of the war, we find him in Paris in the orchestra of Fred Adison. The latter was then one of the great competitors of Ray Ventura's orchestra.
Aimé joined in June 1940, Raymond Legrand, who did not hesitate to replace Ray Ventura (the latter having had to take refuge abroad, following the anti-Jewish persecutions).
At the same time, he formed the Jazz de Paris in 1940 with Hubert Rostaing, Jerry Mengo and Alix Combelle.
In 1941, he recorded with Django Reinhardt's band, Django's Music.
Despite everything, he remained in Raymond Legrand's orchestra until 1944, when he met Lucienne Delyle.
In 1944, he created his own large orchestra, which later included up to 26 musicians. After the war, he resumed the style of American orchestras. He performed among others in 1946 at L'Aiglon, then until 1948 at Les Ambassadeurs.
In 1949, he moved to Monaco where he exercised his talents as a musician in front of international and privileged audiences. Renowned for the excellence and particularity of its sound [ref. necessary], he animates with his training for many years the evenings of the Casino of the Sporting Club of Monaco. Some artists who later rose to fame as a soloist took their first steps there as singers or musicians: José Bartel on vocals, Claude François on congas and André Ceccarelli who started playing drums recommended by his father at the age of 15 years old.
Aimé Barelli was married to Lucienne Henriette Delache "Lucienne Delyle" (1913-1962) with whom he had a daughter, Minouche Barelli, who was the singer of his training for a year.
After the death of his wife, he remarried in 1968 with the British dancer Margareth Boalch (1947-2004) who gave him two other children.
SONGS
Quel temps fait-il à Paris ? (1953)
FILMOGRAPHY
1961 : Qui ose nous accuser ? de Serge Komor
1951 : Les joyeux pèlerins de Fred Pasquali
1950 : La Petite Chocolatière de André Berthomieu : Le chef d'orchestre (et son orchestre)
1942 : Fièvres de Jean Delannoy : petit rôle (non crédité)
1941 : Chèque au porteur de Jean Boyer : petit rôle (non crédité)
He began his career as a trumpeter at the age of 16 at the Palais de la Méditerranée in Nice. He was subsequently hired at the Palm Beach in Cannes.
At the beginning of the war, we find him in Paris in the orchestra of Fred Adison. The latter was then one of the great competitors of Ray Ventura's orchestra.
Aimé joined in June 1940, Raymond Legrand, who did not hesitate to replace Ray Ventura (the latter having had to take refuge abroad, following the anti-Jewish persecutions).
At the same time, he formed the Jazz de Paris in 1940 with Hubert Rostaing, Jerry Mengo and Alix Combelle.
In 1941, he recorded with Django Reinhardt's band, Django's Music.
Despite everything, he remained in Raymond Legrand's orchestra until 1944, when he met Lucienne Delyle.
In 1944, he created his own large orchestra, which later included up to 26 musicians. After the war, he resumed the style of American orchestras. He performed among others in 1946 at L'Aiglon, then until 1948 at Les Ambassadeurs.
In 1949, he moved to Monaco where he exercised his talents as a musician in front of international and privileged audiences. Renowned for the excellence and particularity of its sound [ref. necessary], he animates with his training for many years the evenings of the Casino of the Sporting Club of Monaco. Some artists who later rose to fame as a soloist took their first steps there as singers or musicians: José Bartel on vocals, Claude François on congas and André Ceccarelli who started playing drums recommended by his father at the age of 15 years old.
Aimé Barelli was married to Lucienne Henriette Delache "Lucienne Delyle" (1913-1962) with whom he had a daughter, Minouche Barelli, who was the singer of his training for a year.
After the death of his wife, he remarried in 1968 with the British dancer Margareth Boalch (1947-2004) who gave him two other children.
SONGS
Quel temps fait-il à Paris ? (1953)
FILMOGRAPHY
1961 : Qui ose nous accuser ? de Serge Komor
1951 : Les joyeux pèlerins de Fred Pasquali
1950 : La Petite Chocolatière de André Berthomieu : Le chef d'orchestre (et son orchestre)
1942 : Fièvres de Jean Delannoy : petit rôle (non crédité)
1941 : Chèque au porteur de Jean Boyer : petit rôle (non crédité)
Aimé Barelli "Tony Dallo" "Bar Elie" born 1 May 1917 Lantosque and died 13 July 1885 in Monaco, was a jazz trumpeter of some repute.
He began his career as a trumpeter at the age of 16 at the Palais de la Méditerranée in Nice. He was subsequently hired at the Palm Beach in Cannes.
At the beginning of the war, we find him in Paris in the orchestra of Fred Adison. The latter was then one of the great competitors of Ray Ventura's orchestra.
Aimé joined in June 1940, Raymond Legrand, who did not hesitate to replace Ray Ventura (the latter having had to take refuge abroad, following the anti-Jewish persecutions).
At the same time, he formed the Jazz de Paris in 1940 with Hubert Rostaing, Jerry Mengo and Alix Combelle.
In 1941, he recorded with Django Reinhardt's band, Django's Music.
Despite everything, he remained in Raymond Legrand's orchestra until 1944, when he met Lucienne Delyle.
In 1944, he created his own large orchestra, which later included up to 26 musicians. After the war, he resumed the style of American orchestras. He performed among others in 1946 at L'Aiglon, then until 1948 at Les Ambassadeurs.
In 1949, he moved to Monaco where he exercised his talents as a musician in front of international and privileged audiences. Renowned for the excellence and particularity of its sound [ref. necessary], he animates with his training for many years the evenings of the Casino of the Sporting Club of Monaco. Some artists who later rose to fame as a soloist took their first steps there as singers or musicians: José Bartel on vocals, Claude François on congas and André Ceccarelli who started playing drums recommended by his father at the age of 15 years old.
Aimé Barelli was married to Lucienne Henriette Delache "Lucienne Delyle" (1913-1962) with whom he had a daughter, Minouche Barelli, who was the singer of his training for a year.
After the death of his wife, he remarried in 1968 with the British dancer Margareth Boalch (1947-2004) who gave him two other children.
SONGS
Quel temps fait-il à Paris ? (1953)
FILMOGRAPHY
1961 : Qui ose nous accuser ? de Serge Komor
1951 : Les joyeux pèlerins de Fred Pasquali
1950 : La Petite Chocolatière de André Berthomieu : Le chef d'orchestre (et son orchestre)
1942 : Fièvres de Jean Delannoy : petit rôle (non crédité)
1941 : Chèque au porteur de Jean Boyer : petit rôle (non crédité)
He began his career as a trumpeter at the age of 16 at the Palais de la Méditerranée in Nice. He was subsequently hired at the Palm Beach in Cannes.
At the beginning of the war, we find him in Paris in the orchestra of Fred Adison. The latter was then one of the great competitors of Ray Ventura's orchestra.
Aimé joined in June 1940, Raymond Legrand, who did not hesitate to replace Ray Ventura (the latter having had to take refuge abroad, following the anti-Jewish persecutions).
At the same time, he formed the Jazz de Paris in 1940 with Hubert Rostaing, Jerry Mengo and Alix Combelle.
In 1941, he recorded with Django Reinhardt's band, Django's Music.
Despite everything, he remained in Raymond Legrand's orchestra until 1944, when he met Lucienne Delyle.
In 1944, he created his own large orchestra, which later included up to 26 musicians. After the war, he resumed the style of American orchestras. He performed among others in 1946 at L'Aiglon, then until 1948 at Les Ambassadeurs.
In 1949, he moved to Monaco where he exercised his talents as a musician in front of international and privileged audiences. Renowned for the excellence and particularity of its sound [ref. necessary], he animates with his training for many years the evenings of the Casino of the Sporting Club of Monaco. Some artists who later rose to fame as a soloist took their first steps there as singers or musicians: José Bartel on vocals, Claude François on congas and André Ceccarelli who started playing drums recommended by his father at the age of 15 years old.
Aimé Barelli was married to Lucienne Henriette Delache "Lucienne Delyle" (1913-1962) with whom he had a daughter, Minouche Barelli, who was the singer of his training for a year.
After the death of his wife, he remarried in 1968 with the British dancer Margareth Boalch (1947-2004) who gave him two other children.
SONGS
Quel temps fait-il à Paris ? (1953)
FILMOGRAPHY
1961 : Qui ose nous accuser ? de Serge Komor
1951 : Les joyeux pèlerins de Fred Pasquali
1950 : La Petite Chocolatière de André Berthomieu : Le chef d'orchestre (et son orchestre)
1942 : Fièvres de Jean Delannoy : petit rôle (non crédité)
1941 : Chèque au porteur de Jean Boyer : petit rôle (non crédité)
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