Domenico Brescia was an Italian composer who taught in Chile and Ecuador, then became known in the United States for writing chamber music as well as musical accompaniment for dramatic performances. Brescia led the Music Theory department at Mills College.
Brescia was born in Pirano, near Trieste (now in Slovenia) in 1866, at a time when the area was part of the Austrian Empire. After studying at the University of Bologna he became a member of the Royal Academy of Bologna as well the Royal Academy of Florence.
Brescia went to Santiago, Chile to teach harmony at the national conservatory, and eventually became the assistant director of the school. There, he met Ulderico Marcelli who was studying violin, brass and composition. In 1903, Brescia followed Marcelli to Quito, Ecuador to become the director of the conservatory there, picking up some of sour-tempered Marcelli's unhappy students. Brescia was the first Western composer to utilize native Ecuadorean elements in his works, including the successful Sinfonia Ecuatoriana. Brescia influenced two students who would later make names for themselves in Ecuadorian contemporary music: Segundo Luis Moreno and Luis H. Salgado. Marcelli left for San Francisco in 1910 and, due to Ecuador's increasing political unrest, Brescia left the country in 1911. By 1914, he had settled in San Francisco teaching voice and composing music. While living in San Francisco, he was the first voice teacher of the soprano Lina Pagliughi (who was born in Brooklyn and who moved to San Francisco with her family when she was still very young).
In 1919, Brescia wrote the musical accompaniment to Life, a Grove Play performed at the Bohemian Grove. Ecuadorian Indian moods were used in two musical numbers. Brescia wrote in the notes to the score that he thought it was the first time that a chromatic set of cowbells, spanning an octave and a half, had been used as a symphony instrument. Brescia brought Marcelli into the Bohemian Club where Marcelli wrote the music for the next year's Grove Play. In 1926, Brescia worked with writer George Sterling to compose the music for Sterling's Grove Play entitled Truth.
In 1925, Brescia moved to Oakland as professor of music composition at Mills College. He headed the music theory department as well. In 1928, Mills completed a new music building which was dedicated with a premier performance of Brescia's suite for piano and woodwinds. Brescia brought with him the favor of Elizabeth Sprague Coolidge, patron to modern chamber music, who subsequently subsidized various music department activities at Mills. Brescia held his professorship until his death in 1939.
Brescia had one daughter, Emma (1902–1968), who was married to American poet Robert Penn Warren during the period 1930–1951, then earned a Ph.D. from Columbia University in 1957 and began teaching foreign language at Mitchell College in New London, Connecticut, in 1963.
Brescia was born in Pirano, near Trieste (now in Slovenia) in 1866, at a time when the area was part of the Austrian Empire. After studying at the University of Bologna he became a member of the Royal Academy of Bologna as well the Royal Academy of Florence.
Brescia went to Santiago, Chile to teach harmony at the national conservatory, and eventually became the assistant director of the school. There, he met Ulderico Marcelli who was studying violin, brass and composition. In 1903, Brescia followed Marcelli to Quito, Ecuador to become the director of the conservatory there, picking up some of sour-tempered Marcelli's unhappy students. Brescia was the first Western composer to utilize native Ecuadorean elements in his works, including the successful Sinfonia Ecuatoriana. Brescia influenced two students who would later make names for themselves in Ecuadorian contemporary music: Segundo Luis Moreno and Luis H. Salgado. Marcelli left for San Francisco in 1910 and, due to Ecuador's increasing political unrest, Brescia left the country in 1911. By 1914, he had settled in San Francisco teaching voice and composing music. While living in San Francisco, he was the first voice teacher of the soprano Lina Pagliughi (who was born in Brooklyn and who moved to San Francisco with her family when she was still very young).
In 1919, Brescia wrote the musical accompaniment to Life, a Grove Play performed at the Bohemian Grove. Ecuadorian Indian moods were used in two musical numbers. Brescia wrote in the notes to the score that he thought it was the first time that a chromatic set of cowbells, spanning an octave and a half, had been used as a symphony instrument. Brescia brought Marcelli into the Bohemian Club where Marcelli wrote the music for the next year's Grove Play. In 1926, Brescia worked with writer George Sterling to compose the music for Sterling's Grove Play entitled Truth.
In 1925, Brescia moved to Oakland as professor of music composition at Mills College. He headed the music theory department as well. In 1928, Mills completed a new music building which was dedicated with a premier performance of Brescia's suite for piano and woodwinds. Brescia brought with him the favor of Elizabeth Sprague Coolidge, patron to modern chamber music, who subsequently subsidized various music department activities at Mills. Brescia held his professorship until his death in 1939.
Brescia had one daughter, Emma (1902–1968), who was married to American poet Robert Penn Warren during the period 1930–1951, then earned a Ph.D. from Columbia University in 1957 and began teaching foreign language at Mitchell College in New London, Connecticut, in 1963.
Domenico Brescia was an Italian composer who taught in Chile and Ecuador, then became known in the United States for writing chamber music as well as musical accompaniment for dramatic performances. Brescia led the Music Theory department at Mills College.
Brescia was born in Pirano, near Trieste (now in Slovenia) in 1866, at a time when the area was part of the Austrian Empire. After studying at the University of Bologna he became a member of the Royal Academy of Bologna as well the Royal Academy of Florence.
Brescia went to Santiago, Chile to teach harmony at the national conservatory, and eventually became the assistant director of the school. There, he met Ulderico Marcelli who was studying violin, brass and composition. In 1903, Brescia followed Marcelli to Quito, Ecuador to become the director of the conservatory there, picking up some of sour-tempered Marcelli's unhappy students. Brescia was the first Western composer to utilize native Ecuadorean elements in his works, including the successful Sinfonia Ecuatoriana. Brescia influenced two students who would later make names for themselves in Ecuadorian contemporary music: Segundo Luis Moreno and Luis H. Salgado. Marcelli left for San Francisco in 1910 and, due to Ecuador's increasing political unrest, Brescia left the country in 1911. By 1914, he had settled in San Francisco teaching voice and composing music. While living in San Francisco, he was the first voice teacher of the soprano Lina Pagliughi (who was born in Brooklyn and who moved to San Francisco with her family when she was still very young).
In 1919, Brescia wrote the musical accompaniment to Life, a Grove Play performed at the Bohemian Grove. Ecuadorian Indian moods were used in two musical numbers. Brescia wrote in the notes to the score that he thought it was the first time that a chromatic set of cowbells, spanning an octave and a half, had been used as a symphony instrument. Brescia brought Marcelli into the Bohemian Club where Marcelli wrote the music for the next year's Grove Play. In 1926, Brescia worked with writer George Sterling to compose the music for Sterling's Grove Play entitled Truth.
In 1925, Brescia moved to Oakland as professor of music composition at Mills College. He headed the music theory department as well. In 1928, Mills completed a new music building which was dedicated with a premier performance of Brescia's suite for piano and woodwinds. Brescia brought with him the favor of Elizabeth Sprague Coolidge, patron to modern chamber music, who subsequently subsidized various music department activities at Mills. Brescia held his professorship until his death in 1939.
Brescia had one daughter, Emma (1902–1968), who was married to American poet Robert Penn Warren during the period 1930–1951, then earned a Ph.D. from Columbia University in 1957 and began teaching foreign language at Mitchell College in New London, Connecticut, in 1963.
Brescia was born in Pirano, near Trieste (now in Slovenia) in 1866, at a time when the area was part of the Austrian Empire. After studying at the University of Bologna he became a member of the Royal Academy of Bologna as well the Royal Academy of Florence.
Brescia went to Santiago, Chile to teach harmony at the national conservatory, and eventually became the assistant director of the school. There, he met Ulderico Marcelli who was studying violin, brass and composition. In 1903, Brescia followed Marcelli to Quito, Ecuador to become the director of the conservatory there, picking up some of sour-tempered Marcelli's unhappy students. Brescia was the first Western composer to utilize native Ecuadorean elements in his works, including the successful Sinfonia Ecuatoriana. Brescia influenced two students who would later make names for themselves in Ecuadorian contemporary music: Segundo Luis Moreno and Luis H. Salgado. Marcelli left for San Francisco in 1910 and, due to Ecuador's increasing political unrest, Brescia left the country in 1911. By 1914, he had settled in San Francisco teaching voice and composing music. While living in San Francisco, he was the first voice teacher of the soprano Lina Pagliughi (who was born in Brooklyn and who moved to San Francisco with her family when she was still very young).
In 1919, Brescia wrote the musical accompaniment to Life, a Grove Play performed at the Bohemian Grove. Ecuadorian Indian moods were used in two musical numbers. Brescia wrote in the notes to the score that he thought it was the first time that a chromatic set of cowbells, spanning an octave and a half, had been used as a symphony instrument. Brescia brought Marcelli into the Bohemian Club where Marcelli wrote the music for the next year's Grove Play. In 1926, Brescia worked with writer George Sterling to compose the music for Sterling's Grove Play entitled Truth.
In 1925, Brescia moved to Oakland as professor of music composition at Mills College. He headed the music theory department as well. In 1928, Mills completed a new music building which was dedicated with a premier performance of Brescia's suite for piano and woodwinds. Brescia brought with him the favor of Elizabeth Sprague Coolidge, patron to modern chamber music, who subsequently subsidized various music department activities at Mills. Brescia held his professorship until his death in 1939.
Brescia had one daughter, Emma (1902–1968), who was married to American poet Robert Penn Warren during the period 1930–1951, then earned a Ph.D. from Columbia University in 1957 and began teaching foreign language at Mitchell College in New London, Connecticut, in 1963.
