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Timothy Swan

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Timothy Swan

Birth
Worcester, Worcester County, Massachusetts, USA
Death
23 Jul 1842 (aged 84)
Northfield, Franklin County, Massachusetts, USA
Burial
Northfield, Franklin County, Massachusetts, USA Add to Map
Memorial ID
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Timothy Swan was a hatter, a merchant, and also composed poetry and religious songs. During the Revolutionary War he was a fifer. He married Mary Gay in 1784 and settled in Suffield CT, later moving to Northfield MA. In 1801, he published his first songbook, "New England Harmony." He composed the music to the religious tunes "Poland," "China" (which was a favorite at New England funerals for generations), "Rainbow," and "Bristol," all of which were originally published in Oliver Brownson's "Select Harmony" in 1785.

One of the ear­ly Amer­i­can psalm­o­dists, Swan was of Scot­tish des­cent, eighth child of gold­smith Wil­liam and La­vin­ia Swan. Lit­tle is known of his ear­ly years, ex­cept that he lived in Wor­ces­ter un­til his fa­ther's death in 1774.

He lat­er moved to Gro­ton, Mass­a­chu­setts, to live with his old­er bro­ther, Will­iam, whose ac­tive in­ter­est in mu­sic may have in­flu­enced him. Short­ly af­ter ar­riv­ing in Gro­ton, Swan en­rolled in a sing­ing school taught by a Mr. Gross. This ex­per­ience was prob­ab­ly the on­ly for­mal mu­sic­al train­ing Swan ev­er had.

In 1774, Swan left Gro­ton to enl­ist in the Con­ti­nent­al Ar­my in Cam­bridge, Mass­a­chu­setts. It was here he learned to play fife un­der the tu­te­lage of a Bri­tish fif­er. In 1775, a lit­tle less than a year af­ter en­list­ing at Cam­bridge, Swan moved to North­field, Mass­a­chu­setts. There Swan be­came ap­pren­ticed as a hat­ter with his bro­ther-in-law, Ca­leb Ly­man. In North­field, Swan's be­came fo­cused on mu­sic­al com­po­si­tion. His first tune, Mont­a­gue, can be placed around 1774 when Swan was 16 years old.

After com­plet­ing his ap­pren­tice­ship in 1780, Swan moved to Ent­field, Con­nec­ti­cut, then to Suf­field, Con­nec­ti­cut, in 1782. It was in Suf­field that Swan com­posed most of his mu­sic. Also in Suf­field, Swan met Ma­ry Gay, the daugh­ter Ebe­ne­zer Gay, third min­is­ter of the First Con­gre­ga­tion­al Church of Suf­field. His mar­riage to Mary in 1784 pro­duced 10 child­ren, sev­er­al of which were mu­si­cians like their fa­ther.

Supplementing his work as a hat­ter, Swan be­gan teach­ing sing­ing schools in the area. It was dur­ing this time that his mu­sic was first print­ed. In 1783 com­pos­er-com­pil­er Ol­iv­er Brown­son in­clud­ed six of Swan's tunes in the third issue of Se­lect Har­mo­ny. This was fol­lowed by re­quests from other com­pil­ers and pub­lish­ers to in­clude Swan's tunes in their tune books and other pub­li­ca­tions. By 1800, his tunes were be­ing print­ed in New York, Vir­gin­ia, New Hamp­shire, Penn­syl­van­ia, Mar­y­land, Mass­a­chu­setts, and Con­nec­ti­cut. This rise in in­ter­est in his mu­sic prompt­ed Swan to pub­lish his mu­sic him­self. Col­lab­o­rat­ing with Al­ex­an­der Ely, Swan pub­lished The Song­ster's As­sist­ant around 1786. The book was a col­lect­ion of se­cu­lar du­ets, to which Swan con­trib­ut­ed half of the songs.

In 1801, Swan pub­lished the New Eng­land Har­mo­ny; un­like The Song­ster's As­sist­ant, it was a col­lection of sac­red mu­sic, with over 104 pag­es of orig­in­al mu­sic. The col­lect­ion con­tained ma­ny tunes that had been pre­vious­ly print­ed, in­clud­ing his first tune, Mon­ta­gue. How­ev­er, the book was not well re­ceived, and Swan did not pub­lish an­o­ther col­lect­ion af­ter 1801. Ev­en though his book did not do well, Swan's mu­sic was still in de­mand, and was pub­lished in lat­er com­pil­a­tions by other com­pil­ers. Af­ter pub­lish­ing the New Eng­land Har­mo­ny, Swan moved to Ver­mont, then to North­field, Mass­a­chu­setts.

In Oc­to­ber 1807, 25 years af­ter set­tling in Suf­field, Swan and his fam­i­ly moved back to the town of his child­hood, pos­si­bly due to his mo­ther's fail­ing health. She died six years lat­er in 1813. Up­on re­turn­ing to North­field, Swan went in­to the mil­lin­e­ry bus­i­ness with his ne­phew, Jo­si­ah Dwight Ly­man. Swan con­tin­ued to com­pose mu­sic and re­ceive re­quests from com­pil­ers seek­ing to pur­chase rights to some of his more pop­u­lar tunes.

Timothy Swan was a hatter, a merchant, and also composed poetry and religious songs. During the Revolutionary War he was a fifer. He married Mary Gay in 1784 and settled in Suffield CT, later moving to Northfield MA. In 1801, he published his first songbook, "New England Harmony." He composed the music to the religious tunes "Poland," "China" (which was a favorite at New England funerals for generations), "Rainbow," and "Bristol," all of which were originally published in Oliver Brownson's "Select Harmony" in 1785.

One of the ear­ly Amer­i­can psalm­o­dists, Swan was of Scot­tish des­cent, eighth child of gold­smith Wil­liam and La­vin­ia Swan. Lit­tle is known of his ear­ly years, ex­cept that he lived in Wor­ces­ter un­til his fa­ther's death in 1774.

He lat­er moved to Gro­ton, Mass­a­chu­setts, to live with his old­er bro­ther, Will­iam, whose ac­tive in­ter­est in mu­sic may have in­flu­enced him. Short­ly af­ter ar­riv­ing in Gro­ton, Swan en­rolled in a sing­ing school taught by a Mr. Gross. This ex­per­ience was prob­ab­ly the on­ly for­mal mu­sic­al train­ing Swan ev­er had.

In 1774, Swan left Gro­ton to enl­ist in the Con­ti­nent­al Ar­my in Cam­bridge, Mass­a­chu­setts. It was here he learned to play fife un­der the tu­te­lage of a Bri­tish fif­er. In 1775, a lit­tle less than a year af­ter en­list­ing at Cam­bridge, Swan moved to North­field, Mass­a­chu­setts. There Swan be­came ap­pren­ticed as a hat­ter with his bro­ther-in-law, Ca­leb Ly­man. In North­field, Swan's be­came fo­cused on mu­sic­al com­po­si­tion. His first tune, Mont­a­gue, can be placed around 1774 when Swan was 16 years old.

After com­plet­ing his ap­pren­tice­ship in 1780, Swan moved to Ent­field, Con­nec­ti­cut, then to Suf­field, Con­nec­ti­cut, in 1782. It was in Suf­field that Swan com­posed most of his mu­sic. Also in Suf­field, Swan met Ma­ry Gay, the daugh­ter Ebe­ne­zer Gay, third min­is­ter of the First Con­gre­ga­tion­al Church of Suf­field. His mar­riage to Mary in 1784 pro­duced 10 child­ren, sev­er­al of which were mu­si­cians like their fa­ther.

Supplementing his work as a hat­ter, Swan be­gan teach­ing sing­ing schools in the area. It was dur­ing this time that his mu­sic was first print­ed. In 1783 com­pos­er-com­pil­er Ol­iv­er Brown­son in­clud­ed six of Swan's tunes in the third issue of Se­lect Har­mo­ny. This was fol­lowed by re­quests from other com­pil­ers and pub­lish­ers to in­clude Swan's tunes in their tune books and other pub­li­ca­tions. By 1800, his tunes were be­ing print­ed in New York, Vir­gin­ia, New Hamp­shire, Penn­syl­van­ia, Mar­y­land, Mass­a­chu­setts, and Con­nec­ti­cut. This rise in in­ter­est in his mu­sic prompt­ed Swan to pub­lish his mu­sic him­self. Col­lab­o­rat­ing with Al­ex­an­der Ely, Swan pub­lished The Song­ster's As­sist­ant around 1786. The book was a col­lect­ion of se­cu­lar du­ets, to which Swan con­trib­ut­ed half of the songs.

In 1801, Swan pub­lished the New Eng­land Har­mo­ny; un­like The Song­ster's As­sist­ant, it was a col­lection of sac­red mu­sic, with over 104 pag­es of orig­in­al mu­sic. The col­lect­ion con­tained ma­ny tunes that had been pre­vious­ly print­ed, in­clud­ing his first tune, Mon­ta­gue. How­ev­er, the book was not well re­ceived, and Swan did not pub­lish an­o­ther col­lect­ion af­ter 1801. Ev­en though his book did not do well, Swan's mu­sic was still in de­mand, and was pub­lished in lat­er com­pil­a­tions by other com­pil­ers. Af­ter pub­lish­ing the New Eng­land Har­mo­ny, Swan moved to Ver­mont, then to North­field, Mass­a­chu­setts.

In Oc­to­ber 1807, 25 years af­ter set­tling in Suf­field, Swan and his fam­i­ly moved back to the town of his child­hood, pos­si­bly due to his mo­ther's fail­ing health. She died six years lat­er in 1813. Up­on re­turn­ing to North­field, Swan went in­to the mil­lin­e­ry bus­i­ness with his ne­phew, Jo­si­ah Dwight Ly­man. Swan con­tin­ued to com­pose mu­sic and re­ceive re­quests from com­pil­ers seek­ing to pur­chase rights to some of his more pop­u­lar tunes.



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